The continent’s heating up.
It’s been a cold, wet spring here.
There’s still snow on the high slopes.
Which of these things matters most?
There’s the rain, again. There’s sun.
Some people comment. Some don’t.
The kids on the field play on,
But the novice skateboarder
Practicing alone runs in
To save her bearings from rust.
Which of these things matters most?
It’s been a cold, wet spring here.
The continent’s heating up.
You know the answer, don’t you?
You do. Robins on the posts,
Wet-haired kids in the long grass,
Sun rainbowing the puddles.
The wheel-bearings matter most.
Thursday, June 16, 2022
Save Your Bearings
The Self-Devouring Hollow
A popular online article
Aggregator and, thus, gatekeeper
Releases a list of its top ten
Most read articles this past decade,
And, surprise, most of the articles
On that list concern themselves with why
It’s corrosive to read things like this—
News makes you unhappy; media,
Especially social media,
Are slowly devouring the country;
If you don’t quit browsing this right now,
You’re doomed. Too late, you’re already doomed.
Charming, isn’t it? Miserable
You, seeking further confirmation
That seeking further confirmation
Is what’s making you miserable.
This is what comes of education—
More options to choose what’s wrong with you.
Be of good cheer. By wasting your time
Wallowing online, you’re doing wealth
And all society a favor
Via autophagocytosis.
You help remove dysfunctional life
Lysing standby. Online, you’re offline.
The Hermit Journals
Back before the echo
Was domesticated
By Edison, et al.,
If you were both lonely
And possessed of free time,
You entertained yourself
With your own instruments—
Piano, mandolin,
Harmonica, banjo—
Whatever you could play.
If desperate, you sang—
At worst, talked to yourself.
Words, being nothing but
Specimens of ourselves,
Still fluttering or pinned
To whatever surface
We can be left scratched in,
Have to echo ourselves
To pass our quiet years
On shelves or windowsills
With the corpses of flies.
It’s alright. It’s not like
Language itself can be
Lonely or bored, alive.
Which Both Wounds and Saves
Weeding Your Organic Garden Plots
Can you describe to us your field
Of acquisition, your manners
Of acquiring and hanging on
To areas of resources
You can, personally, exploit,
The better to go on living?
You are not an innocent
Reading, writing, viewing, hearing,
Touching your thoughts to this question,
But try to shake the conviction,
So painfully, wonderfully
Human, that your alternative
Is guilt. Guilt and innocence form
Not only an opposition
For social elaborations
But also a technology
In the fields of acquisition.
You could build a small library
Of classics, eastern and western,
That bemoan, somewhere within them,
The contrast between the human
Agon of guilt and innocence
And the simple hungers of lives
Of lilies of the field, tigers,
Birds chorusing in careless woods,
Any life other than human.
But guilt and innocence
Are territorial songs sung
By you, yourself, the likes of you,
In your fields of acquisition.
You Need the Dough Too Much
There had to be something before this,
And then where do you draw the line? Paste,
Pasta, impasto—it’s difficult.
How can you say there is no meaning
At this point, but at this point there is?
How are you reading this line? Perhaps
You’re parsing it in the air. So there.
Pastry, pâté, pastos—what a mess
Of foods like glues and of glues like foods.
How can you say the original
Meaning meant something else completely?
The original meaning of what?
It’s a question of complexity
And a question of taxonomy
And your fondness for dichotomies—
Meaning, nonsense. This line means something
But this one doesn’t. Where did you draw
This line? It’s not at all obvious
At what point a complex chemical
System can be said to mean something.
Lots of different kinds of molecules,
They’re all in a sort of mush. They’re all
More or less pasted together, quashed
And smeared, troweled together, meaning
What? You’re looking for meaning’s meaning,
Meaning’s signature hidden in words,
Working words with histories. Not there.
The Poet Is a Strange Device
You stumble through your days, we notice,
Although we’re not sure if your motions
Are more of a double pendulum
Or approaching a limit cycle.
Whatever they’re up to, you look odd
In the eye of the scrutinizer,
Silly robot. If you could steer clear
Of conversation, we wouldn’t be
So nervous, jumpy as new parents,
Always ready to spring from your mouth
Whenever someone else is around.
We could settle down in the chaise lounge
Of these lines and relax, lazy words
Who never had to watch you wobble
Straight toward social interactions,
Daft toddler at the top of the stairs,
Little ant near the ant lion’s trap.
We’d never lose sleep to your babbling
Efforts to grow more and more human,
As you squash and stretch your small ideas
And then fling yourself into the air.