Depictions, from a handwritten
Letter sent to Maxwell Perkins,
Describes the grim recovery
Of bloated bodies following
The devastating hurricane
Of 1935 that tore
Through parts of the Florida Keys—
More dead than I’d seen in one place
Since the Great War, 1918–
And, most of those dead, veterans
Who, having survived that conflict,
Had ended up in a work camp
In the midst of the Depression,
Living in shacks on Windley Key.
Now their bodies sprawled, like cordwood,
Scattered everywhere and bloated,
But the most disturbing passage
In his description of the scene
Lies where Hemingway writes Perkins
Of the bodies of two women
Stripped naked by the storm and thrown
Into the branches of a tree—
Swollen and stinking . . . breasts as big
As balloons, flies between their legs.
I recognize them as the two
Very nice girls. . . . Very nice girls?
Something in his language suggests
That death made whores of them, or that
Bloated corpses with bloated breasts
And flies between their legs (surely
The flies were hardly so confined)
Shouldn’t be expected to turn
Out to be two very nice girls
Who ran a sandwich place. What gives?
Were women so sexualized
In his mind that even in death
Naked female bodies could be
Only grotesquely erotic?
His focus seems more than morbid,
More than mere memento mori.
Was death, for him, pornography?
The mind shakes itself off, moves on,
Other things to read. The women
Whose ghosts entered Hemingway
To emerge disturbingly phrased
Are wholly words now, as are we,
As is Ernest Hemingway, whose
Own ghost spins weirdly through dead texts,
Copied from holograph to page
To code to haunt another age.
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