People die for miracles,
Die questing for miracles,
Somewhere in the human world
Every hour of every day.
The simplest explanation
Seems to be relentless hope
That solutions can be found
When the one hoping believes
That solutions can’t be found—
So, sometimes, when one is found,
An actual solution
After all, people insist
That it was a miracle.
Continuing to find none,
However, doesn’t stop hope,
And hope is exploitable,
And people exploit people.
People die for miracles
From people who exploit them.
Still, that’s somehow not enough.
Solutions may not be sought,
And still the hunger remains
To witness a miracle.
And who knows why it remains,
Why supernatural tales
Are loved by level-headed
People—why Taoists accept
Emptiness in the Way, yet
Constantly play at magic.
What is it the hunger’s for?
Say gravity could switch off
Locally, killing no one—
That would be a miracle.
Would people be happy then,
Live contented, so much fun?
This hunger is for something
That could make life miserable.
Think of just how terrible
Life might be with miracles.
Saturday, September 7, 2024
Miracle Hunger
One Person Playing a Silent Scene
That’s a handsome bit of melancholy,
He said, Although it does risk self-pity.
He waited to see what she’d say to that,
In the peculiar suspense invented
By phone-texted conversation. Dot-dot.
While he waited, he wondered what he’d meant
When he had incorporated handsome.
Handsome how? Fine? Elegant? Masculine?
How could a melancholy emotion
Suggest any of those connotations?
He knew he had a tendency to link
Oddball adjective-noun combinations.
She didn’t answer him, but he began
To understand he’d meant he’d imagined
Some handsome and melancholy person
Expressing that opinion she’d sent him
And then had unconsciously elided
The person from the imaginary
Situation in which the person said
Such a handsome, melancholy thing,
Leaving behind a floating emotion
That seemed to risk being self-pitying.
That, too, was his thing—removing persons
From spoken settings, leaving only terms.
He thought of Stevens—Life is an affair
Of people, not things, but for me it’s been
The reverse, and that has been the problem.
He gave his phone a last glance at the screen.
Over the Blue Aegean
You’ve been so many places
You can’t say you’ve ever been.
You tremble over the blue
Aegean near the ghost town
Created by cruelty,
And you lust for its beauty,
Its overgrown masonry,
To spill from inside your mind
Out over surrounding life.
After the revolutions,
Genocidal replacements,
And grief, it comes down to this—
Once all locked rooms are roofless,
Ghost thoughts can enter what’s left.
Why Haven’t Cave Cats Evolved?
If you’re in the right frame
Of mind for world-building,
Then adding blind cave cats
To your cavern planet
Might be a good idea.
One good idea, at least.
You’d have to have a lot
Of species that made sense
In those ecosystems
You imagined for them,
Deep in conversation
With stalactite tunnels,
Hunting the blind cave mice.
And then—since you’re human,
Narrating for humans—
You’d need mysterious,
Troglophilic persons
Haunting the caves themselves,
Beautiful, slender-limbed,
And elvish, near-sighted,
Nearly ageless as olms,
Maybe hunting with help
From those predatory,
Magical, blind cave cats.
Can you sense the darkness,
The intimate absence
Of illumination
Lacking changing weather,
Yet? Now a visitor
Sets in motion the chain
Of events that upend
This quiet, settled world,
Propelling your hero
Onto the harsh surface,
Into the terrible light,
Where aliens from Earth—
No—portal travelers
From your world and your time,
Have arrived, having found
A link between the worlds,
One tunnel in a maze
Of networked threads binding
All the worlds together.
The cavern world’s woven
With diamonds and metals,
Which humans find, meaning
Your hero’s sweet people
Are doomed without the help
Of that first visitor,
And the fact that what ties
All the worlds together
Is one vast tapestry
Of squeezes, belly crawls,
Windows, speleogens,
And boneyards that only
Blind cave cats can traverse.
Hero and visitor,
Turned lovers, assemble
A blind cave cat army. . . .
Now you have a story.