Showing posts with label 18 Sep 23. Show all posts
Showing posts with label 18 Sep 23. Show all posts

Monday, September 18, 2023

Transparency

A cat on a couch,
Wrens past the glass door.
The cat wants the wrens.
The wrens know the score.

In Common Pond

When a name, a proper noun,
A proper name, a brand name,
Splashes into a puddle

Of little words, common words,
It has a startling effect—
Either you know it and then

That word lake’s electrified
By that one name—or you don’t,
And it sits there like a stone,

Or a sunken vehicle
Someone drove into the pond,
Short-circuited in the depths,

Something indigestible
In the waves of plain phrases,
Obdurate and alien

As a term from an unknown
Language in a puzzling script
No one has deciphered yet.

Maybe you’ve noticed these words
List no such marketable
Labels nor historical

Personages throwing sparks
Or sunk sulking in the reeds.
A lack of particulars

Alone is an abstraction.
Can you imagine living
Your life without proper nouns,

Without unique, exact names—
No brands, no divinities,
No celebrities, no kin—

Life with nouns for everything
But none for any one thing?
Well, that’s us, then, isn’t it?

Whatever It Is, It Avails Not

You catch Tagore and Whitman
Trying to converse with you
Across the many decades,

Willing their words to bridge death—
Who are you reader, reading
My poems an hundred years hence?

What is the count of the scores
Or hundreds of years between?
Tagore wants you to conjure

The scent of his dead flowers.
Whitman wants to bond with you
And tell you about Brooklyn.

You can’t smell Tagore’s flowers,
Only your own composted
Memory of flower smells.

It’s hard to picture Brooklyn
Of ample hills, horse-drawn carts,
And a few surviving farms,

But you turn to your mashed-up
Recall of illustrations
And blurred early photographs

And sort of get the idea.
You understand their impulse
To imagine a reader

Discovering their phrases
Long after the poet left.
And, what do you know, Tagore

Was correct—a century
Later, still a few readers,
Longer, and more, for Whitman.

Still it’s a sad connection,
Like prisoners with a wall
Of solid stone between them,

One tapping out faint signals,
The other one listening,
Only listening, only

Able to decode the taps,
Not to send anything back.
Who are you reader, reading?

You can’t answer, can’t ever
Respond to the dead poets
To tell them something got through.